A base ability called charge, which has you launching at an opponent from a distance, is suddenly made extra lethal by combining it with the super punch ability, which destroys an enemy in one hit. Not only are these an absolute delight to use, they also interact in satisfying ways. The original game had similar “mutators” that you could unlock and play the game with, but they never saw interplay between themselves. The abilities themselves – or “hacks” as they’re referred to in the lore – are what truly define MIND CONTROL DELETE.
It’s a great way to structure the game, and it encourages assembling a different build of character each time you start a new batch of maps. The latter are retained until you’ve finished out the sequence, or lost if should you meet your demise and the sequence is reset. Each sequence of maps has you selecting a base ability, and then sees you selecting additional, stacking abilities between the maps. You could describe the game as a linear survival game with rogue-like elements, but portioned out in chunks of several maps that you have to survive in one go to move along in the overall game.
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It knows precisely how to lean on the strengths of its astonishing underlying design, and provide a level structure that makes it feel like a survival mode served in portions, with an overarching sense of progress. What MIND CONTROL DELETE does is smush the two together, creating a game that does end eventually, but not too soon. Depending on what type of player you are, that could make either mode a non-starter. The Endless mode offered hours and hours of wave based survival that gradually turned up the pressure to the nth degree, providing teeth gritting, butt clenching, fighting-tooth-and-nail gameplay.Įven though the aforementioned combat puzzles were built on top of the same core gameplay, the survival mode exposed just how much more dynamic the game underneath was, in ways you never got to experience if you stopped playing after the somewhat brief campaign.īut, while the campaign arguably ended too soon, the survival mode never ended. The other, deeper, more dynamic aspect of SUPERHOT was the thinking-on-your-feet dance of combat – of reacting spontaneously, improvising perpetually, to keep enemies in check. SUPERHOT the puzzle game is not really represented in MIND CONTROL DELETE at all.
When you realise what you can do to solve your predicament, there’s this a-ha moment that feels like you solved a puzzle. One of the most illustrative levels in the original is the one called Elevator Pitch, where you start out at gunpoint from three enemies, with no obvious way to avoid being shot by at least one of them. SUPERHOT’s “campaign mode” presented maps built like combat puzzles, where your margins in terms of timing were to be exploited in clever ways to best the scenario at hand. I will not presume to know all the ways a person could love 2016’s phenomenal SUPERHOT – a first person shooter fundamentally redefined by its “time only moves when you move” twist on gameplay – but I know for a fact about two of them. (But if your favourite part of SUPERHOT was its second-best thing, that’s admittedly nowhere to be found here.) MIND CONTROL DELETE brings out the best in SUPERHOT.
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